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The Gender Centre Library

To borrow from our library you will first need to become a member of the library. To join our library you will need to provide identification (perhaps your driver's license or pension card), and a telephone contact. This information will be reviewed every time you borrow a book.

You will be able to borrow one book at a time, for up to two weeks at a time. This is due to the limited number of books available and the high demand from the community. Please take good care of our books, many of our resources have been removed or taken from our service and not returned. This is very unfortunate as they are part of quite a unique resource in New South Wales

Our books are purchased in limited quantities and appear on our Book List when available. If there is a book you feel the Gender Centre should have in our Library, please let us know.

You may request to submit a Lend Request to Borrow a Book from our Library from the Catalogue below.

We also have a link to buy the Books on Amazon if you would like to.

You may also consider donating a book to the Centre if you feel it may be a valuable resource to others in our community.

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Textual Intercourse: Collaboration, authorship, and sexualities in Renaissance drama (Cambridge Studies in Renaissance Literature and Culture)

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Textual Intercourse: Collaboration, authorship, and sexualities in Renaissance drama (Cambridge Studies in Renaissance Literature and Culture)

Title:	Textual Intercourse: Collaboration, authorship, and sexualities in Renaissance drama (Cambridge Studies in Renaissance Literature and Culture)
Categories:	Sex & Sexuality
ResourceID:	0521589207
Authors:	Jeffrey Masten
ISBN-10(13):	0521589207
Publisher:	Cambridge University Press
Publication date:	1997-02-28
Edition:	0
Number of pages:	240
Language:	Not specified
Price:	USD 37.23
Rating:
Picture:
Description:	Product Description Textual Intercourse brings together literary criticism, theater history, the study of printed books, and gender studies, to show how the writing of Renaissance drama was conceptualized in the languages of sex, gender, and eroticism. Jeffrey Masten argues that the plays of Shakespeare and others, and the way in which those plays were first printed, illustrates a shift from a model of collaboration to one of singular authorship. Using methods attuned to sexuality and gender, Masten illuminates questions of authorship and intellectual property.

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ACKNOWLEDGEMENT OF COUNTRY

The Gender Centre acknowledges the traditional owners of the land that we reside on. We pay respect to elders past, present and emerging and strive to honour and support indigenous trans and gender diverse folk that we work with, support and share community with.

We recognise aboriginal people as the traditional owners and custodians of the land and water on which we live work and play

We acknowledge sister girls, brother boys trans mob and first nations LGBTIQ+ community members.

The Gender Centre pays particular respect to the Cadigal Wangal people, who are the traditional owners of the land on which we deliver services to the TGD community.